Cocoon: The Return

Idiomes

English

Títols alternatius

Cocoon II: The Return · USCocoon 2 · USCocoon, le Retour · FRCocoon 2: Hjemkomsten · DK

Països d'origen

United States of America

Productores

The Zanuck/Brown Company

20th Century Fox

Estatus

Released

Títol original

Cocoon: The Return

Llengua original

EN

Pressupost

$17.5 M

Ingressos

$25.0 M

Popularitat

5

Col·lecció

Cocoon Collection

Paraules clau

returnpregnancyshape shifting alienpregnant womanexpectant fatherexpectant motherpregnant wifeshape shiftercocoonsenior citizenhuman formice cream sundaeadoringcelebratoryenthusiastic

IMDb

tt0094890

Enllaços externs

Wikidata

Dates d'estrena

FR

23 de febr. 2021

Tipus 4

SE

22 de des. 2009

Tipus 3

BR

03 de set. 2004

12

Not recommended for minors under twelve. Scenes can include physical aggression, use of legal drugs and sexual innuendo.

Tipus 5

FR

11 d'ag. 2004

Tipus 5

AT

04 d'ag. 1989

6

Freigegeben ab 6 Jahren

Tipus 3

IE

04 d'ag. 1989

PG

Suitable for children over the age of 8. Parental guidance is recommended for children under the age of 12.

Tipus 3

DE

03 d'ag. 1989

6

No children younger than 6 years admitted.

Tipus 3

GB

01 d'ag. 1989

PG

All ages admitted, but certain scenes may be unsuitable for young children. May contain mild language and sex/drugs references. May contain moderate violence if justified by context (e.g. fantasy).

Tipus 3

JP

10 de juny 1989

G

General, suitable for all ages.

Tipus 3

FR

03 de maig 1989

TP

Valid for all audiences.

Tipus 3

Repartiment destacat

Art Selwyn

Ben Luckett

Sara

Joe Finley

Bernie Lefkowitz

Jack Bonner

David

Mary Luckett

Ruby

Alma Finley

Bess McCarthy

Kitty

Equip tècnic

Elizabeth Bradley

Author

Tak Fujimoto

Director of Photography

Author

Screenplay

Editor

Makeup Artist

Producer

Producer

Producer

Director

Characters

Original Music Composer

Crítiques

Filipe Manuel Neto ★ 3.0

14 de febr. 2023

**Lazy, laying in the shadow of the original film, doesn't have much merit in itself.** Daniel Petrie decided to take a film that was successful and acquired a certain affection and make a poor sequel. I think almost everyone knows that a sequel to a good movie is almost never as good as the original movie... it could be a cliché, but the truth is that it is something so common that it has beco...

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