Miralls No. 3 · Infofilm

Idiomes

Deutsch

Títols alternatius

미러 NO.3 · KREspejos N° 3 · ARMirrors No. 3 · AUMirrors No. 3 · NZMiroirs No. 3 · USMiroirs Number 3 · US

Països d'origen

Germany

Productores

Schramm Film

ZDF/Arte

Estatus

Released

Títol original

Miroirs No. 3

Llengua original

DE

Ingressos

$0.8 M

Popularitat

4

Paraules clau

countrysidecar accidentpianistfemale pianistgerman familyrural settingpiano playerovercoming lossmelancholia and loss

IMDb

tt32247943

Enllaços externs

Wikidata

Dates d'estrena

PL

14 d'oct. 2026

Tipus 1

BR

25 de set. 2026

14

Not recommended for minors under fourteen. More violent material, stronger sex references and/or nudity.

Tipus 4

US

25 d'ag. 2026

NR

No rating information.

Tipus 5

BR

20 d'ag. 2026

14

Not recommended for minors under fourteen. More violent material, stronger sex references and/or nudity.

Tipus 3

LT

07 d'ag. 2026

N-13

Movies for viewers from 13 years of age. The viewers from 7 to 13 years of age are allowed to enter this index only together with accompanying adult persons.

Tipus 3

GR

09 de jul. 2026

Tipus 3

GB

22 de juny 2026

Tipus 4

IE

22 de juny 2026

Tipus 4

CN

13 de juny 2026

Tipus 1

TR

05 de juny 2026

Tipus 3

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Filmin

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Laura

Betty

Richard

Max

Jakob

Debbi

Roger

Laura's Father

Michael

Policeman

Driver

Music Student

Equip tècnic

Director

Screenplay

Producer

Producer

Producer

Director of Photography

Matthias Biber

Steadicam Operator

Florian Trautwein

First Assistant Camera

Matthias Börner

Second Assistant Camera

Christian Schulz

Still Photographer

Katharina Ost

Costume Designer

Senay Ay

Assistant Costume Designer

Crítiques

Brent Marchant ★ 5.0

25 de març 2026

For what it’s worth, some movies are just plain forgettable. That’s especially true when a picture’s narrative is driven by a slew of ambiguities, leaving viewers wondering what the film is actually about. And that approach, for whatever purpose it supposedly serves, characterizes many of the works of writer-director Christian Petzold, who employs it once again in his latest offering. Laura (Paula...

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