Oklahoma · Infofilm

Idiomes

English

Països d'origen

United States of America

Productores

Magna Corporation

Estatus

Released

Títol original

Oklahoma!

Llengua original

EN

Pressupost

$5.9 M

Ingressos

$14.2 M

Popularitat

4

Paraules clau

horseback ridingoklahomaranchmusicalbased on play or musicalfrontierpeddlershivareestatehoodsmokehouseunspoken loveturn of the century1900s

IMDb

tt0048445

Enllaços externs

Wikidata

Dates d'estrena

AU

09 d'oct. 2011

G

General. The content is very mild in impact.

Tipus 5

FR

01 de maig 2006

Tipus 5

US

20 d'ag. 1982

G

All ages admitted. There is no content that would be objectionable to most parents. This is one of only two ratings dating back to 1968 that still exists today.

Tipus 3

SU

26 de des. 1960

Tipus 3

FR

07 d'ag. 1957

Tipus 3

IT

12 d'abr. 1957

Tipus 3

IE

11 de gen. 1957

G

Suitable for children of school going age (note: children can be enrolled in school from the age of 4).

Tipus 3

NL

27 de set. 1956

Tipus 3

GB

10 d'oct. 1955

U

All ages admitted, there is nothing unsuitable for children.

Tipus 3

US

10 d'oct. 1955

G

All ages admitted. There is no content that would be objectionable to most parents. This is one of only two ratings dating back to 1968 that still exists today.

Tipus 3

Repartiment destacat

Curly McLain

Laurey Williams

Ado Annie Carnes

Aunt Eller

Ali Hakim

Jud Fry

Skidmore

Mr. Carnes

Will Parker

Gertie

Marshal

Dream Curly / Dancer

Equip tècnic

Fred Zinnemann

Director

Mark Griffith

Digital Intermediate Colorist

Agnes de Mille

Choreographer

Arthur Hornblow Jr.

Producer

Robert Surtees

Director of Photography

Costume Design

Songs

Screenplay

Screenplay

Theatre Play

Music

Lyricist

Crítiques

CinemaSerf ★ 6.0

14 de nov. 2022

Great music, lyrics and dancing - but boy, what a truly sterile delivery. By necessity, staging has to be precise in a theatre; cinema offers little of such spacial restrictions so why is this musical choreographed to within an inch of it's life? There is virtually none of the spontaneity - especially with the rumbustious dances - that the big screen offered and what we are left with, though colou...

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