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Cartell de La soga

La soga

Estrena: 01 de febr. 1948 Durada: 81 min Gèneres: Thriller, Crime, Drama ★ 7.9 (2963 vots)
A la casa de dos estudiants, van arribant personatges convidats a una mena de festa de fi de curs. El convidat més temut és el seu tutor i professor de criminologia, un astut criminòleg que nega l'existència del crim perfecte. I ara estan preocupats, perquè tenen un cadàver dins el bagul que fa de taula per al sopar. És d'un amic comú, i promès d'una antiga núvia d'un d'ells. Amb l'assassinat intenten demostrar al professor que sí existeix el crim perfecte. Mentre avança la nit, el professor va comprenent que els dos amics han assassinat a un dels seus alumnes i, utilitzant mètodes deductius, intenta descobrir-los, desarmant les seves coartades.
Idiomes
English
Títols alternatius
Alfred Hitchcock's Rope · US绳索 · CNΟ Βρόχος · GR올가미 · KRВяроўка · BYКонопац · RSDie Schlinge · DEGróp a la góla · ITFestín diabólico · ARCocktail per un cadavere · ITSznur · PLVirve · LVCutugnu · ITDe strop · NLDe koord · BE
Països d'origen
United States of America
Estatus
Released
Títol original
Rope
Llengua original
EN
Pressupost
$1.5 M
Ingressos
$2.2 M
Popularitat
3
Enllaços externs

Dates d'estrena

GR
14 de set. 2023
Tipus 3
IT
22 de nov. 2022
Tipus 6
DE
06 de febr. 2014
12
Children 12 or older admitted, children between 6 and 11 only when accompanied by parent or a legal guardian.
Tipus 5
NL
14 de nov. 2012
12
Potentially harmful to children under 12 years; broadcasting is not allowed before 8:00 pm.
Tipus 5
NL
10 d'abr. 2003
12
Potentially harmful to children under 12 years; broadcasting is not allowed before 8:00 pm.
Tipus 5
US
26 de març 2001
PG
Some material may not be suitable for children under 10. These films may contain some mild language, crude/suggestive humor, scary moments and/or violence. No drug content is present. There are a few exceptions to this rule. A few racial insults may also be heard.
Tipus 5
BR
08 de des. 2000
14
Not recommended for minors under fourteen. More violent material, stronger sex references and/or nudity.
Tipus 5
BR
19 d'oct. 1999
14
Not recommended for minors under fourteen. More violent material, stronger sex references and/or nudity.
Tipus 6
GB
28 de jul. 1988
PG
All ages admitted, but certain scenes may be unsuitable for young children. May contain mild language and sex/drugs references. May contain moderate violence if justified by context (e.g. fantasy).
Tipus 5
DE
25 de jul. 1963
16
Children 16 or older admitted, nobody under this age admitted.
Tipus 3

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming
Filmin Filmin
Lloguer
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Compra
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Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Equip tècnic

Crítiques

tmdb47633491 ★ 9.0
07 d'abr. 2018
Can't believe I'm only seeing this now. It's great. Basically a play. There couldn't have been more than 15 shots. Ending had me in tears. Shouts out
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barrymost ★ 7.0
25 d'ag. 2020
Rope was the first Alfred Hitchcock/James Stewart collaboration. They would go on to do "Rear Window", "The Man Who Knew Too Much", and finally, "Vertigo". This being the first, and also a kind of experimental film on Hitchcock's part, it is the weakest of the four. Shot as a play, mainly in one room, and with only a handful of cast members, the concept of how it was done is intriguing even tod...
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CinemaSerf ★ 7.0
09 de jul. 2022
Now I may be completely off beam here, but there is something ever so slightly homo-erotic about the relationship between John Dall ("Brandon") and Farley Granger ("Philip") in this rather clunky murder tale that is less of a mystery and more of a bragging exercise. The two, having murdered their college friend "David" invite some folks round for a dinner party that shows the pair - especially Dal...
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James ★ 7.0
20 d'oct. 2023
Somebody should have stopped Hitchcock from all this innovating business…
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James ★ 7.0
20 d'oct. 2023
**It ends with a shot** Like no film ever did that.
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griggs79 ★ 5.0
02 de des. 2024
_Rope_ is often praised for its technical ambition but falls flat in genuine suspense. The single-take gimmick overshadows the storytelling, leaving it feeling more like a stage play trapped in a cinematic format. Jimmy Stewart’s earnest charm feels misplaced here; his usual gravitas is oddly muted, making his presence more distracting than commanding. John Dall is the real standout, injecting a s...
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