Иван Васильевич меняет профессию

Idiomes

Pусский

Títols alternatius

Ivan Vasilevich menyaet professiyu · RUIvan Vasilyevich Changes Occupation · GBIvan Vasilievich: Back to the Future · USИван Васильевич меняет профессию · RUIvan Vasilevich o‘z kasbini o‘zgartiradi · UZIvan Vassilievitch change de profession · FR

Països d'origen

Soviet Union

Productores

Mosfilm

Estatus

Released

Títol original

Иван Васильевич меняет профессию

Llengua original

RU

Popularitat

1

Paraules clau

time machinehilarious

IMDb

tt0070233

Enllaços externs

Wikidata

Dates d'estrena

FR

11 de gen. 2022

16

Unsuitable for children younger than 16 or forbidden in cinemas for under 16.

Tipus 4

RU

01 de gen. 2011

12+

(For children above 12) – Unsuitable for children under 12.

Tipus 5

RU

11 de set. 2001

12+

(For children above 12) – Unsuitable for children under 12.

Tipus 5

SE

17 de des. 1976

Tipus 3

HU

07 de nov. 1974

Tipus 3

PL

03 de nov. 1974

Tipus 3

DE

01 de nov. 1974

Tipus 3

AR

25 d'abr. 1974

Tipus 3

FI

22 de març 1974

Tipus 3

RU

17 de set. 1973

Tipus 3

Repartiment destacat

Александр Демьяненко

Aleksandr 'Shurik' Timofeyev, inventor

Юрий Яковлев

Ivan the Terrible / Ivan Vasilievich Bunsha, building superintendent

Леонид Куравлёв

Жорж Милославский / князь Милославский

Михаил Пуговкин

Film Director Yakin

Владимир Этуш

Anton Semyonovich Shpak, dentist

Савелий Крамаров

Feofan the diak

Наталья Крачковская

Uliana Andreevna Bunsha, superintendent's wife

Наталья Селезнёва

Zinaida, Shurik's wife

Сергей Филиппов

Swedish Ambassador

Наталья Кустинская

Yakin's mistress

Нина Маслова

Tsaritza Marfa Sobakina

Валентин Грачёв

стрелец

Equip tècnic

Director

Theatre Play

Editor

Director of Photography

Евгений Куманьков

Production Design

Александр Зацепин

Original Music Composer

Виталий Абрамов

Director of Photography

Screenplay

Screenplay

Sound Recordist

Conductor

Sound Recordist

Crítiques

deepkino ★ 7.0

15 de set. 2025

The film is praised for its manic and fast-paced energy, as well as its unique blend of slapstick and clever humor. It is considered an example of how comedy can thrive and even contain subtle social commentary under a repressive regime. The use of physical comedy, sped-up chase scenes, and goofy music, a trademark of director Gaidai, contributes to the film's comedic appeal. While some of the cul...

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