Sorry, Wrong Number

Idiomes

English

Títols alternatius

Il terrore corre sul filo · ITPerdón, número equivocado · ES

Països d'origen

United States of America

Productores

Hal Wallis Productions

Paramount Pictures

Estatus

Released

Títol original

Sorry, Wrong Number

Llengua original

EN

Popularitat

1

Paraules clau

husband wife relationshiptelephonefamily business flashbackfilm noirfemale protagonistfearchemistheiressinvalidcriminal investigationhome alonephone callpharmaceuticals company

IMDb

tt0040823

Enllaços externs

Wikidata

Dates d'estrena

AT

01 de gen. 1951

12

Freigegeben ab 12 Jahren

Tipus 3

FR

30 de set. 1949

U

Tipus 3

DK

29 de jul. 1949

15

For ages 15 and up.

Tipus 3

US

24 de set. 1948

NR

No rating information.

Tipus 3

US

01 de set. 1948

Tipus 1

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Filmin

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Barbara Stanwyck

Leona Cotterell Stevenson

Henry Stevenson

Sally Hunt Lord

Dr. Philip Alexander

Waldo Evans

James 'J.B.' Cotterell

Fred Lord

Morano

Joe (Detective)

Peter Lord

Elizabeth Jennings

Harpootlian

Equip tècnic

Director

Radio Play

Screenplay

Original Music Composer

Sol Polito

Director of Photography

Producer

Producer

Costume Design

Art Direction

Art Direction

Set Decoration

Set Decoration

Crítiques

SWITCH. ★ 7.0

27 de maig 2020

'Sorry, Wrong Number' isn't a film that leaves a strong lasting impression, but its narrative and visual inventiveness and a thoroughly engaging plot make it an enjoyable journey into 40s film noir. If anything, you leave it with a great appreciation for Lucille Fletcher's devilishly simple premise, one that certainly isn't dulled by the transition from radio to cinema. - Daniel Lammin Read Da...

Llegir més →

SWITCH. ★ 7.0

27 de maig 2020

'Sorry, Wrong Number' isn't a film that leaves a strong lasting impression, but its narrative and visual inventiveness and a thoroughly engaging plot make it an enjoyable journey into 40s film noir. If anything, you leave it with a great appreciation for Lucille Fletcher's devilishly simple premise, one that certainly isn't dulled by the transition from radio to cinema. - Daniel Lammin Read Da...

Llegir més →