Sol davant el perill

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Títols alternatius

12 Uhr Mittags · ATSol davant el perill · ESAl punt del migdia · ESฮายนูน · THصلات ظهر · IRماجرای نیمروز · IRDe trein zal drie maal fluiten · BELe train sifflera 3 fois · BETochno po pladne · BGZahira moshta'ela · EGQuand le train sifflera trois fois · FRTo traino tha sfyrixi treis fores · GRJedal dar nimrooz · IRB'Tzohoray Ha-Yom · ILMahiru no kettô · JP

Països d'origen

United States of America

Productores

Stanley Kramer Productions

Estatus

Released

Títol original

High Noon

Llengua original

EN

Pressupost

$0.7 M

Ingressos

$8.0 M

Popularitat

9

Paraules clau

small towngunslingershowdownfistfightu.s. marshalshootoutmoralityblack and whitebattlejusticeone against manyquick drawbrawlticking clock

IMDb

tt0044706

Enllaços externs

Wikidata

Dates d'estrena

PT

24 de gen. 2025

M/12

Passed for viewers aged 12 and older.

Tipus 2

IT

25 d'oct. 2022

Tipus 6

HU

01 de nov. 2020

12

Not recommended below age of 12.

Tipus 4

GR

13 d'ag. 2020

Κ-12

Tipus 2

NL

03 de març 2018

6

Potentially harmful to children under 6 years.

Tipus 6

GB

27 de febr. 2013

U

All ages admitted, there is nothing unsuitable for children.

Tipus 2

FR

12 de des. 2012

TP

Valid for all audiences.

Tipus 3

NL

23 de set. 2010

6

Potentially harmful to children under 6 years.

Tipus 5

CZ

31 de maig 2004

12+

Unsuitable for persons under the age of 12.

Tipus 5

GR

10 de maig 2004

Κ-12

Tipus 5

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Movistar Plus+

Movistar Plus+ Ficción Total Filmin

Filmin

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Gary Cooper

Marshal Will Kane

Thomas Mitchell

Mayor Jonas Henderson

Lloyd Bridges

Deputy Marshal Harvey Pell

Helen Ramírez

Amy Fowler Kane

Judge Percy Mettrick

Martin Howe

Sam Fuller

Frank Miller

Mildred Fuller

Dr. Mahin

Cooper

Equip tècnic

Director

Screenplay

Producer

Supervising Film Editor

Art Direction

Editor

Set Decoration

Original Music Composer

Floyd Crosby

Director of Photography

Rudolph Sternad

Production Design

George C. Emick

Music Editor

Emmett Emerson

Assistant Director

Crítiques

Patrick E. Abe ★ 8.0

30 de set. 2016

A masterpiece of tightly plotted drama/suspense in what would become The Adult Western. Normally, one is happiest on your wedding day, but former lawman Will Kane is troubled. An old nemesis is due on the noon train, and his gang is in town to meet him. He's sworn to kill the man who sent him to prison, so the expected action is to flee. But weighed down with a new bride and traveling in a buc...

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John Chard ★ 10.0

03 de maig 2017

This is just a dirty little village in the middle of nowhere. Nothing that happens here is really important. Will Kane (Gary Cooper) is a retiring lawman all set to leave the town of Hadleyville with his new bride Amy (Grace Kelly). But word comes that a notorious gunslinger he put in prison has been released and is heading to town with his gang intent on bloody revenge. With a sense of fearles...

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Peter McGinn ★ 9.0

01 d'ag. 2021

I am guessing that High Noon is one of those seminal films that influenced the western genre immensely for a long time. The fifties? That is back when we wanted our heroes to be heroic. No greed or cruelty or inconsistent morals were allowed. Marshall Will Kane states near the beginning that he has to stick around for the evil Frank Miller to show up. Then he admittedly has a bit of a wobble when...

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CinemaSerf ★ 7.0

02 de febr. 2024

Gary Cooper is great in this tightly-packed revenge western. Newly married to "Amy" (the sparingly used but effective Grace Kelly) he has decided to stop being the town marshal and live a more peaceful life. It's on that very day, however, that he discovers that the outlaw "Miller" (Ian MacDonald), whom he sent to jail years earlier has been released and is heading back on the noon train to settle...

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Filipe Manuel Neto ★ 7.0

10 de febr. 2024

**When a film becomes a manifesto of political discontent.** Usually, we are used to seeing extremely virile western films, full of masculine strength and American pride. And in fact the “cowboy” is a symbol of American strength and persistence: he is a loner, individualist, independent, who faces the most arduous situations with tenacity and ingenuity. However, this film is much sadder and eve...

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