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Cartell de La trama

La trama

Estrena: 03 de des. 1997 Durada: 110 min Gèneres: Drama, Mystery, Thriller ★ 6.8 (308 vots)
Joe Ross, un enginyer tant brillant com ingenu, és el creador d'un projecte altament secret que permetrà a la seva empresa controlar el mercat mundial, i, per tant, obtenir uns guanys astronòmics. No obstant això, a poc a poc, una sèrie de circumstàncies el portaran a sospitar que algú pretén robar-li el seu lucratiu invent.
Idiomes
English
Títols alternatius
A Trapaça · BRLa trama · ESIl prigioniero · ITIl prigioniero spagnolo · ITLa formula di David Mamet · ITMannen fra St. Estephe · NO
Països d'origen
United States of America
Estatus
Released
Títol original
The Spanish Prisoner
Llengua original
EN
Pressupost
$10.0 M
Ingressos
$13.8 M
Popularitat
2
Enllaços externs

Dates d'estrena

IT
03 de des. 1998
Tipus 1
US
15 de maig 1998
Tipus 3
US
03 d'abr. 1998
PG
Some material may not be suitable for children under 10. These films may contain some mild language, crude/suggestive humor, scary moments and/or violence. No drug content is present. There are a few exceptions to this rule. A few racial insults may also be heard.
Tipus 2
FR
07 de gen. 1998
Tipus 3
DE
03 de des. 1997
12
Children 12 or older admitted, children between 6 and 11 only when accompanied by parent or a legal guardian.
Tipus 3
FR
13 de set. 1997
Tipus 1
CA
08 de set. 1997
Tipus 1

Repartiment destacat

Equip tècnic

Crítiques

Coco Sea ★ 8.0
04 de gen. 2024
This film captures you from start to finish, like the music! The lead actor is handsome; the pace is deceptive; the mystery is jazzy yet confounding; the cast's acting is done well; and our faith in the goodness in some stays alive through the end. This clever and entertaining film is a must see! The Spanish Prisoner was intelligently written and simply directed, a deception. The handsome and...
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Wuchak ★ 6.0
20 d'oct. 2025
**_When you can’t trust anyone_** Shot in September-October, 1996, this is a Hitchcockian corporate espionage drama/suspense thriller, written/directed by David Mamet. It’s reminiscent of “The Firm,” just meshed with elements of the future “Matchstick Men.” While it’s not great like the former, it’s almost on par with the latter. I find it the least of ’em because, although Rebecca Pidgeon i...
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