Get Out · Infofilm

Idiomes

English

Títols alternatius

Get Out - Rette deine Haut · DE訪.嚇 · HKลวงร่างจิตหลอน · THÇıx Get Burdan · AZ

Països d'origen

United States of America

Productores

Monkeypaw Productions

Blumhouse Productions

QC Entertainment

Estatus

Released

Títol original

Get Out

Llengua original

EN

Pressupost

$4.5 M

Ingressos

$255.4 M

Popularitat

15

IMDb

tt5052448

Enllaços externs

Wikidata Facebook Instagram Twitter

Dates d'estrena

FR

15 de juny 2023

Tipus 4

EC

01 de jul. 2022

Tipus 4

EG

04 d'abr. 2021

Tipus 5

ES

13 de gen. 2021

16

Not recommended for audiences under 16.

Tipus 4

NL

23 de gen. 2019

16

Potentially harmful to children under 16 years; broadcasting is not allowed before 10:00 pm.

Tipus 6

CN

12 d'abr. 2018

Tipus 1

AE

01 de març 2018

Tipus 3

JP

27 d'oct. 2017

Tipus 3

IT

20 de set. 2017

T

All ages admitted.

Tipus 5

SE

18 de set. 2017

15

Children over the age of 7, who are accompanied by an adult, are admitted to films that have been passed for children from the age of 11. Updated on March 1, 2017.

Tipus 5

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Netflix

Netflix Standard with Ads

Lloguer

Apple TV Store

Rakuten TV

Google Play Movies

Amazon Video

Compra

Apple TV Store

Rakuten TV

Google Play Movies

Amazon Video

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Chris Washington

Rose Armitage

Missy Armitage

Dean Armitage

Jeremy Armitage

Walter

Georgina

Andre Logan King

Jim Hudson

Rod Williams

Ashley LeConte Campbell

Lisa Deets

John Wilmot

Gordon Greene

Equip tècnic

Kieley Culbertson

Visual Effects Producer

David Lebensfeld

Visual Effects Supervisor

Set Dresser

Set Dresser

Set Dresser

Sound Re-Recording Mixer

Grant Miller

Visual Effects Supervisor

Set Dresser

Makeup Artist

VFX Artist

Sound Re-Recording Mixer

Chad Goei

VFX Artist

Crítiques

cevangelista413

22 de febr. 2017

Horror and comedy have blended well since around the beginning of film for one key reason: the release that both allow from the audience. The building set-up is not unlike the quiet before the jump scare. Both utilize equations of timing to provoke an unconscious reaction. Because of these similarities, the horror-comedy is a well-tapped genre, especially in the last couple decades of works aiming...

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CuriousAstronaut ★ 10.0

25 de febr. 2017

~ NO SPOILERS ~ This is an extremely impressive film from Peele. Its smart and knows it-- teasing you along the way of what is to unfold at the film's climax. The main character is a photographer goes to visit his GF's house and all-white family. Things are not as they appear at first glance, and as the film progresses it becomes even more disturbingly obvious that the family is hiding a secre...

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IncendiaryIndie ★ 9.0

06 de març 2017

**Opening Remarks** I went out to see this film armed only with the snippets I watched in the form of television commercials and YouTube ads. The film had a very interesting look and that really caught my attention. I noticed that the film focused primarily on race, which seemed like an interesting concept for a horror/psychological thriller. I also saw that Jordan Peele (of "Key and Peele" fa...

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Gimly ★ 7.0

10 de juny 2017

Perhaps it was the months of hype-related-preamble I had before getting the chance to see _Get Out_ that caused me to be not entirely blown away by it, or maybe it just doesn't resonate with me the same way it did with its audience at large. Either way, I was still very impressed with Jordan Peele's directorial debut. It's a great combination of freaky and funny, as well as realist and absurdis...

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Reno ★ 7.0

30 de jul. 2017

**Now you're in the sunken place!** Not all the directional debut sees this kind of welcome from the audience. Yeah, Jordan Peele had written and directed it. It is similar to the 90s style mystery-thrillers. Definitely must see for the 90s, 80s guys. It kind of looked like a black comedy, but I guess that's not they had preferred. Especially that teacup scenes and some of the close up shots, t...

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pancine ★ 7.0

10 de febr. 2019

The hypnotism aspect changed the tone of the film, even though something menacing was expected all along. The end shriveled into routine gore and gun violence. The racial implications may make some feel guilty. Good enough overall but also overrated. Ms. Williams may be more than another NBC 'talent', time will tell.

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