Jocs perversos · Infofilm

Idiomes

English

Títols alternatius

Nobody Leaves · GBХимера [Braid (2018)] · RUJuego Perverso · CLDying to Play · US

Països d'origen

United States of America

Productores

Wandering Bard

Somina Pictures

Estatus

Released

Títol original

Braid

Llengua original

EN

Popularitat

1

Paraules clau

mansion

IMDb

tt4638148

Enllaços externs

Wikidata Facebook

Dates d'estrena

BR

09 de des. 2020

18

Not recommended for minors under eighteen. Scenes featuring explicit sex, incest, pedophilia, praising of the use of illegal drugs and violence of a strong imagery impact.

Tipus 4

CL

22 d'oct. 2020

14

14 years old and over.

Tipus 3

DE

24 de gen. 2020

18

No youth admitted, only adults.

Tipus 5

US

01 de febr. 2019

Tipus 3

UA

21 de gen. 2019

Tipus 3

RU

10 de gen. 2019

18+

(Prohibited for children) – Prohibited for children under 18.

Tipus 3

CH

19 d'oct. 2018

18

Tipus 4

US

22 d'abr. 2018

Tipus 1

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Amazon Prime Video

Movistar Plus+ Ficción Total Filmin

Filmin

FlixOlé

Amazon Prime Video with Ads

Lloguer

Rakuten TV

Compra

Rakuten TV

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Madeline Brewer

Daphne Peters / Mother

Imogen Waterhouse

Petula Thames / Doctor

Sarah Hay

Tilda Darlings / Daughter

Detective Siegel

Landlord

Train Conductor

Passenger

Hazel

Tiresias the Omniscient Homeless Man

Zoe Feigelson

Young Daphne

Dhoni Middleton

Young Petula

Tai Lyn Sandhu

Young Tilda

Equip tècnic

Michael Toscano

First Assistant Director

Robert Lopez

Second Assistant Director

Drew Leary

Stunt Coordinator

Rebecca Rajadnya

First Assistant Camera

Still Photographer

Gaffer

Rigging Gaffer

Location Manager

Set Decoration

On Set Dresser

Costume Supervisor

Director

Crítiques

SWITCH. ★ 6.0

14 de set. 2019

Rooted in Polanski-like psycho horror and with an ending that is interpretively ambiguous, this film comes with a little haughtiness that suggests pretension. ‘Braid’ leaves something to be desired as a story, but it still establishes Mitzi Peirone as a respectful and respectable risk-taker who demonstrates a true love of the genre and of the medium. - Jake Watt Read Jake's full article... h...

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