At Play in the Fields of the Lord

Idiomes

English

Títols alternatius

Brincando nos Campos do Senhor · BREn liberté dans les champs du seigneur · CAEin Pfeil in den Himmel · DEJugando en los campos del Señor · ES

Països d'origen

United States of America

Productores

The Saul Zaentz Company

Estatus

Released

Títol original

At Play in the Fields of the Lord

Llengua original

EN

Pressupost

$36.0 M

Ingressos

$1.3 M

Popularitat

1

Paraules clau

based on novel or bookmissionarycivilizationtribeamazon rainforestjunglemalaria1960samazon river

IMDb

tt0101373

Enllaços externs

Wikidata

Dates d'estrena

CZ

10 d'ag. 1998

Tipus 5

ES

28 de febr. 1992

Tipus 3

FR

26 de febr. 1992

Tipus 3

US

06 de des. 1991

R

Under 17 requires accompanying parent or adult guardian 21 or older. The parent/guardian is required to stay with the child under 17 through the entire movie, even if the parent gives the child/teenager permission to see the film alone. These films may contain strong profanity, graphic sexuality, nudity, strong violence, horror, gore, and strong drug use. A movie rated R for profanity often has more severe or frequent language than the PG-13 rating would permit. An R-rated movie may have more blood, gore, drug use, nudity, or graphic sexuality than a PG-13 movie would admit.

Tipus 3

Repartiment destacat

Lewis Moon

Leslie Huben

Andy Huben

Martin Quarrier

Wolf

Hazel Quarrier

Boronai

Father Xantes

Commander Guzman

Billy Quarrier

Acure

Uyuyu

Equip tècnic

Héctor Babenco

Director

Lauro Escorel

Director of Photography

Vincent Patrick

Screenplay

Francisco Ramalho Jr.

Executive Producer

Screenplay

Screenplay

Executive Producer

Associate Producer

Novel

Producer

Original Music Composer

Rita Murtinho

Costume Design

Crítiques

tmdb28039023 ★ 7.0

30 d'ag. 2022

At Play in the Fields of the Lord is shot through with rich, complex irony (two characters, for instance, discuss having Indian blood, but while one is talking about having it in one’s veins, the other is talking about having it on one’s hands). Its main characters, except one whose hypocrisy borders on cognitive dissonance, are torn between perception and reality – struggling in vain to have t...

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