Дылда · Infofilm

Idiomes

Pусский

Títols alternatius

Dylda · FRGiraffa · ILDen väldiga kvinnan · SEUne grande fille · FR

Països d'origen

RussiaUnited States of America

Productores

Non-Stop Productions

AR Content

Estatus

Released

Títol original

Дылда

Llengua original

RU

Popularitat

1

Paraules clau

post-traumatic stress disorder (ptsd)post world war iiquadriplegic soldier

IMDb

tt10199640

Enllaços externs

Wikidata

Dates d'estrena

GR

10 de gen. 2022

Tipus 4

DE

22 d'oct. 2020

12

Children 12 or older admitted, children between 6 and 11 only when accompanied by parent or a legal guardian.

Tipus 3

SE

12 de juny 2020

15

Children over the age of 7, who are accompanied by an adult, are admitted to films that have been passed for children from the age of 11. Updated on March 1, 2017.

Tipus 3

US

02 de juny 2020

NR

No rating information.

Tipus 5

CZ

21 de maig 2020

Tipus 3

US

05 de maig 2020

NR

No rating information.

Tipus 4

IL

27 de febr. 2020

Tipus 3

KR

27 de febr. 2020

Tipus 3

CA

21 de febr. 2020

Tipus 2

US

29 de gen. 2020

NR

No rating information.

Tipus 2

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Filmin

Lloguer

Rakuten TV

Compra

Rakuten TV

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Виктория Мирошниченко

Iya Sergueeva

Masha

Stepan

Lyubov Petrovna

Seamstress

Nikolay Ivanovich

Sasha

Pashka

Stepan's Wife

Sasha's Friend

Sasha's Father

Katya

Equip tècnic

Evgueni Galperine

Original Music Composer

Director

Producer

Producer

Production Design

Producer

Costume Design

Director of Photography

Writer

Producer

Line Producer

Line Producer

Crítiques

Stephen Campbell ★ 6.0

26 de des. 2019

_**Very bleak and somewhat compelling – a film I admired more than I liked**_ >_The basis for the Stakhanov movement was first and foremost the radical improvement in the material welfare of the workers. Life has improved, comrades. Life has become more joyous. And when life is joyous, work goes well. Hence the high rates of output. Hence the heroes and heroines of labour. That, primarily, is t...

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