The Blue Lamp · Infofilm

Idiomes

English

Títols alternatius

El farol azul · ES

Països d'origen

United Kingdom

Productores

J. Arthur Rank Organisation

Ealing Studios

Estatus

Released

Títol original

The Blue Lamp

Llengua original

EN

Popularitat

1

Paraules clau

film noirpolicemanbritish noir

IMDb

tt0042265

Enllaços externs

Wikidata

Dates d'estrena

BR

12 de des. 2016

Tipus 5

GB

21 d'ag. 2006

PG

All ages admitted, but certain scenes may be unsuitable for young children. May contain mild language and sex/drugs references. May contain moderate violence if justified by context (e.g. fantasy).

Tipus 5

GB

28 de jul. 1989

PG

All ages admitted, but certain scenes may be unsuitable for young children. May contain mild language and sex/drugs references. May contain moderate violence if justified by context (e.g. fantasy).

Tipus 5

AU

24 de nov. 1950

Tipus 3

US

01 de juny 1950

Tipus 3

GB

19 de gen. 1950

Tipus 3

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Netflix

Filmin

Netflix Standard with Ads

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

PC George Dixon

PC Andy Mitchell

Tom Riley

Police Sgt. Roberts

Divisional Detective Inspector Cherry

Diana Lewis

Spud

PC 'Jock' Campbell

PC 'Taff' Hughes

Police Sgt. Brooks

Alf Lewis

Maisie

Equip tècnic

Basil Dearden

Director

T. E. B. Clarke

Screenplay

Gordon Dines

Director of Photography

Writer

Producer

Writer

Camera Operator

Costume Design

Music Director

Art Direction

Makeup Artist

Makeup Artist

Crítiques

John Chard ★ 7.5

08 de febr. 2014

Mustn't Grumble. The Blue Lamp is directed by Basil Dearden and written by T.E.B. Clarke. It stars Jack Warner, Jimmy Hanley, Dirk Bogarde, Robert Flemyng and Peggy Evans. Music is by Ernest Irving and cinematography by Gordon Dines. Andy Mitchell is a new recruit to the London police force, old hand George Dixon takes him under his wing and shows him the ropes. When Dixon is gunned down by...

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CinemaSerf ★ 7.0

27 de des. 2022

I think a lot of what makes this film resonate, even now 50-odd years later - is the stark fact that back then, the murder of a police officer was still pretty rare and was a crime guaranteed to galvanise both the police and the criminal fraternities alike against the culprit. That all helps to create an authentic scenario in which Dirk Bogarde is super as a petty thief who gets caught up in event...

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