Central do Brasil · Infofilm

Idiomes

Português

Títols alternatius

千年等一天 · CNEstación central de Brasil · ESCentral Station · US중앙역 · KR中央车站 · CNCentral do Brasil · BR

Països d'origen

BrazilFrance

Productores

MACT Productions

VideoFilmes

RioFilme

Estatus

Released

Títol original

Central do Brasil

Llengua original

PT

Pressupost

$2.9 M

Ingressos

$5.6 M

Popularitat

2

IMDb

tt0140888

Enllaços externs

Wikidata

Dates d'estrena

IE

15 d'ag. 2025

15A

Suitable for viewers of 15 and over. Younger viewers may be admitted to the film at cinemas if accompanied by an adult; on home video younger viewers are not permitted to purchase/rent the video.

Tipus 3

BR

19 de juny 2024

Tipus 4

FR

15 de maig 2021

Tipus 4

TW

11 de set. 2020

普遍級

Tipus 3

FR

01 de març 2020

Tipus 4

FR

12 d'abr. 2019

Tipus 5

FR

11 de jul. 2018

Tipus 3

BR

09 de set. 2005

12

Not recommended for minors under twelve. Scenes can include physical aggression, use of legal drugs and sexual innuendo.

Tipus 5

NL

01 de març 2003

12

Potentially harmful to children under 12 years; broadcasting is not allowed before 8:00 pm.

Tipus 6

NL

21 de gen. 2002

12

Potentially harmful to children under 12 years; broadcasting is not allowed before 8:00 pm.

Tipus 5

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Acontra Plus

Acontra Plus Amazon Channel

Lloguer

Acontra Plus

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Fernanda Montenegro

Isadora "Dora" Teixeira

Vinícius de Oliveira

Josué Fontenele de Paiva

Irene

César

Pedrão

Isaías Paiva

Moisés Paiva

Yolanda

Waitress

Dora's Client

Ana Fontenele

Jessé's Wife

Equip tècnic

Walter Salles

Director

Marcos Bernstein

Screenplay

João Emanuel Carneiro

Screenplay

Screenplay

Producer

Executive Producer

Executive Producer

Executive Producer

Producer

Paulo Carlos De Brito

Producer

Afonso Coaracy

Line Producer

Lillian Birnbaum

Executive Producer

Crítiques

CinemaSerf ★ 7.0

18 de set. 2025

“Dora” (Fernanda Montenegro) used to be a school teacher, but now she sits at a table in the station in Rio de Janeiro and writes letters for the illiterate traveller for a few réals a time. She thinks little of a woman and her young son who stop by, except perhaps that he isn’t the most trusting of boys, but when a tragedy promptly befalls this pair she finds herself being asked to write another...

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