Welcome to L.A. · Infofilm

Idiomes

English

Països d'origen

United States of America

Productores

United Artists Lion's Gate Films

Estatus

Released

Títol original

Welcome to L.A.

Llengua original

EN

Popularitat

1

Paraules clau

family relationshipswomanizerlos angeles, californiasongwriter

IMDb

tt0076910

Enllaços externs

Wikidata

Dates d'estrena

DE

28 d'abr. 1978

12

Children 12 or older admitted, children between 6 and 11 only when accompanied by parent or a legal guardian.

Tipus 3

US

12 de nov. 1976

R

Under 17 requires accompanying parent or adult guardian 21 or older. The parent/guardian is required to stay with the child under 17 through the entire movie, even if the parent gives the child/teenager permission to see the film alone. These films may contain strong profanity, graphic sexuality, nudity, strong violence, horror, gore, and strong drug use. A movie rated R for profanity often has more severe or frequent language than the PG-13 rating would permit. An R-rated movie may have more blood, gore, drug use, nudity, or graphic sexuality than a PG-13 movie would admit.

Tipus 3

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Filmin

MGM Plus Amazon Channel

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Carroll Barber

Ann Goode

Karen Hood

Ken Hood

Nona Bruce

Susan Moore

Linda Murray

Eric Wood

Carl Barber

Jack Goode

David Howard

Faye

Equip tècnic

Director

Sound

Scoring Mixer

Second Assistant Director

Key Grip

Other

Makeup Artist

Sound

Costume Supervisor

Sound Effects Editor

Assistant Editor

Property Master

Crítiques

CinemaSerf ★ 5.0

22 de juny 2025

The wealthy “Carl” (Denver Pyle) is reluctantly estranged from his musician son “Carroll” (Keith Carradine) who is, himself, a rather introspective womaniser who has no interest in committing to any of the women who have touched his life as he philanders around Los Angeles. Quite what any of these women could ever see in this man is beyond me, but he seems to have them hooked and that’s the excuse...

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