Theater Camp · Infofilm

Idiomes

English

Títols alternatius

Theatre Camp · USگروه نمایشی · IRگروه تئاتر · IRCampamento de Teatro (Theater Camp) · ES

Països d'origen

United States of America

Productores

Gloria Sanchez Productions

Topic Studios

Picturestart

Estatus

Released

Títol original

Theater Camp

Llengua original

EN

Pressupost

$5.0 M

Ingressos

$4.4 M

Popularitat

2

IMDb

tt21232992

Enllaços externs

Wikidata Facebook Instagram Twitter

Dates d'estrena

AG

25 de juny 2024

Tipus 4

AI

25 de juny 2024

Tipus 4

AR

25 de juny 2024

Tipus 4

AW

25 de juny 2024

Tipus 4

BB

25 de juny 2024

Tipus 4

BM

25 de juny 2024

Tipus 4

BO

25 de juny 2024

Tipus 4

BR

25 de juny 2024

14

Not recommended for minors under fourteen. More violent material, stronger sex references and/or nudity.

Tipus 4

BS

25 de juny 2024

Tipus 4

BZ

25 de juny 2024

Tipus 4

On veure-la (ES)

Enllaç TMDB/JustWatch

Streaming

Disney Plus

Lloguer

Apple TV Store

Rakuten TV

Google Play Movies

Amazon Video

Compra

Rakuten TV

Google Play Movies

Amazon Video

Dades de proveïdors gràcies a TMDB / JustWatch.

Repartiment destacat

Amos Klobuchar

Rebecca-Diane

Glenn Winthrop

Troy Rubinsky

Rita Cohen

Janet Walch

Clive DeWitt

Gigi Charbonier

Joan Rubinsky

Caroline Krauss

Mackenzie Thomas

Darla Sanchez

Equip tècnic

Travel Coordinator

Set Decoration

Makeup Artist

Cinematography

Set Decoration

Associate Producer

Makeup Artist

Director

Director

Stand In

Writer

Executive Producer

Crítiques

CinemaSerf ★ 6.0

30 d'ag. 2023

When "Joan" (Amy Sedaris) unfortunately has a seizure caused by the strobe lighting (or perhaps the singing) at an am-dram performance of "Bye Bye Birdie", her profiteering and none-too-bright son "Troy" (the Channing tatum-esque Jimmy Tatro) finds himself in charge of her summer camp for would be, young, theatricals. This school is largely held together by "Amos" (Ben Platt), "Rebecca-Diane" (Mol...

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Brent Marchant ★ 6.0

16 de set. 2023

Films in the mockumentary genre can be thoroughly satisfying entertainment experiences when done right, as seen in such examples as “Zelig” (1983), “This Is Spinal Tap” (1984) and “Fear of a Black Hat” (1993). But the key, as noted above, is in doing them right, something to which this latest such offering from writer-directors Nick Lieberman and Molly Gordon can’t lay claim. The problem here is t...

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